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The first four songs are also technically from the BBC, but a live appearance on a BBC TV show (that was actually filmed in the Netherlands) rather than a studio session. Songs five through eight are from a 1966 BBC session that the official album totally overlooked, even though the sound is perfectly good. All of those six are from proper BBC studio sessions.Īs for those unreleased songs, they come from a variety of sources, not all of them strictly the BBC. Six of the songs here are from that, and the rest are unreleased. There is one official BBC album for him, called "Live at the BBC." But it's rather scanty, dealing with the years from 1968 to 1988. By contrast, in Britain he had 13 Top 40 hits in those same years, including a number three hit in 1966 with "Too Soon to Know." So it's not surprising that he capitalized on this by playing more in Britain. From 1965 to 1969, he only had five Top 40 hits there, most towards the bottom of those charts. But then his fortunes dropped considerably from 1965 in the US, where the British Invasion reigned supreme. Orbison had lots of hits in the early 1960s all over the world, peaking with "Oh, Pretty Woman" in 1964, which I've heard is one of the top ten most played songs on the radio of all time. But I don't think it's a coincidence that this volume dates from 1965 to 1971. It may be a bit of a surprise that he has enough BBC sessions for that, since Roy Orbison was an American singer. The second one will be a short, single concert from the 1970s. Next, it's Roy Orbison's turn to have some BBC sessions.
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Since the duet with Joplin is the most celebrated one here, I used a photo from that. Louis (Tom Jones & Glen Campbell)Ġ7 Raise Your Hand (Tom Jones & Janis Joplin)Ġ8 In the Midnight Hour (Tom Jones & the Rascals)ġ0 I'm Gonna Make You Love Me (Tom Jones & Dusty Springfield)Īs with the covers of the other albums in this series, I thought it would be more interesting to show Jones during one of the duets instead of him alone. Some of the songs come from a DVD source and sound great, while others come from YouTube videos, and are more of a mixed bag.Ġ3 Jenny, Jenny - Rip It Up (Tom Jones & Little Richard)Ġ5 You Came a Long Way from St. Also like the rest of the series, the sound quality is pretty good overall, but variable. But I slotted it in chronologically with the others.
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All the shows are from the "This Is Tom Jones" show with the exception of "Proud Mary," which is from another TV show. As with the rest of the series, all the songs here are officially unreleased. She died so young, that I think this is the only major duet she did on TV. Probably the most notable was the duet with Joplin. On this album, the duets are with: Little Richard, Glen Campbell, Janis Joplin, the Rascals, Dusty Springfield, and Joe Cocker. Like the rest of the tracks here, they apply a constant standard of musicianship to wildly unpredictable song forms.Here's another album based on the TV show hosted by Tom Jones, "This Is Tom Jones." It's the fourth of six such albums.Īs usual, there are lots of duets with big names. “Take Me Away,” “Freedom of ‘76," and “A Tear for Eddie” are exquisite. But the album's real pleasure is the way it shines a light on the duo’s instrumental acuity and vocal skills. “Baby Bitch,” “Drifter in the Dark," and “Don’t Sh*t Where You Eat” are flat-out great songs, with no qualification. But this time the sound quality is extraordinarily rich, and the song structures-though still proudly aberrant-are finely crafted.
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Chocolate & Cheese continues the stylistic cavalcade of Ween’s prior albums. Where Dean and Gene Ween had displayed a grand sonic imagination on albums like The Pod and Pure Guava, with Chocolate & Cheese Ween finally got to decorate its dreams with luxury upholstery rather than scavenged materials. Dozens of great and very strange underground bands were signed to major labels in the wake of Nirvana’s phenomenal success, but one could argue that none made better use of major-label money than rural Pennsylvania’s beloved basement duo Ween.